“Designing for inclusivity not only opens up our products and services to more people, it also reflects how people really are. All humans grow and adapt to the world around them and we want our designs to reflect that.” Download the Inclusive Design Toolkit at https://www.microsoft.com/design/inclusive/… Read more
The Interaction Research Studio at Goldsmiths published Energy Babble, a booklet documenting the creation of “automated talk radios obsessed with energy”. Free PDF, with essays by Andy Boucher, Bill Gaver et al.… Read more
This is one of the articles I’m probably the most proud of, in terms of methodology and analysis. There are three things that are really close to my interests – interaction criticism, playful interaction, pragmatist aesthetics – and all are in play in this paper. I’m a bit disappointed that it stayed for a whole year behind a paywall, and now that the embargo period is over I’m republishing it for free on my own site. Free PDF available below.… Read more
The Techno-Galactic Guide to Software Observation proposes ways to achieve critical distance from the software systems that surround us, with speculative tools for the (mis)use of software empowering users to resist embedded paradigms and assumptions
“There have been misunderstandings regarding “narrative” in relation to games, in part due to the lack of a shared understanding of “narrative” and related terms. Instead, many contrasting perspectives exist, and this state of affairs is an impediment for current and future research. To address this challenge, this article moves beyond contrasting definitions, and based on a meta-analysis of foundational publications in game studies and related fields, introduces a two-dimensional mapping along the dimensions of media specificity and user agency.”
This is a really interesting PhD thesis by David Cuartielles on Platform Design, which “is a study of different viewpoints on the creation of digital systems, and how they converge in platforms designed, built, and managed by communities.”
Folks into civically-engaged games: Progetto Ustica is a documentary / serious game that addresses the massacre of Itavia Flight 870. It’s a playable piece on civic memory, and it’s very much worth trying.… Read more
Anab Jain brings the future to life, creating experiences where people can touch, see and feel the potential of the world we’re creating. Do we want a world where intelligent machines patrol our streets, for instance, or where our genetic heritage determines our health care? Jain’s projects show why it’s important to fight for the world we want. Catch a glimpse of possible futures in this eye-opening talk.
“What kind of stories and plots do researchers of Human Computer Interaction draw on when they make fictions?” The way we tell narratives influences the way we think, also in science. So interesting to see some good narratological study applied to the discourse of HCI. Mark Blythe’s CHI 2017 paper is available in open access at https://dl.acm.org/authorize?N36804… Read more
We were promised flying cars but we got Twitter instead. That’s the common complaint against science fiction writers and the visions of the future they presented us in the 20th century. But sci-fi authors did imagine something like the Internet and social media before they existed. And we might be able to learn something from the writers who tried to imagine our daily lives. Cory Doctorow, Ada Palmer, Jo Walton and Arizona State University professor Ed Finn look at the cyberpunks and their predecessors. And artist Paul St. George talks about why he’s fascinated by a Skype-like machine from the Victorian era.
Designers continually describe design as a way of organizing complexity or finding clarity in chaos. Synthesis reveals a cohesion and sense of continuity; synthesis indicates a push towards organization, reduction, and clarity. Yet despite the acknowledged importance of this phase of the design process, there continues to appear something magical about synthesis when encountered in professional practice.
Nazlican Goksu is a Design Researcher at IDEO San Francisco, and she’s particularly interested in systemic challenges, especially those that involve urban design. In this blog post, she wonders “How does play affect how we behave in cities? What are the social and physical effects of play in urban design? If we played more in cities, would we be happier? Fall in love more often?”… Read more
In recent years, game developers have been fusing the research and process of journalism with the kind of interactive storytelling that games do best in order to create unique and moving experiences. "We Are Chicago" (Culture Shock Games) and "1979 Revolution: Black Friday" (iNK Stories) are two really interesting examples
Satirical and persuasive games are becoming some sort of staple in recent elections, and the latest one in the UK is no exception. CorbynRun, playable for free at https://corbynrun.com/ as well as on iOS and Android, is a nicely crafted endless run. But the question is: does it effectively convey a political message through its UX and level design?… Read more
A really interesting CHI paper by Ann Light, Irina Shklovski and Alison Powell. “What should designers do with their design skills and orientation to the future as right-wing populism sweeps through politics; climate predictions worsen; mass migration (within/across countries) escalates refugee numbers; new classes of automation threaten workers’ jobs and austerity policies destabilize society?”
A paper by Katherine Isbister, Kaho Abe and Michael Karlesky, at CHI 2017. “We present a strong concept for design: Interdependent Wearables (for play): wearables designed to require shared attention and mutual awareness, with interdependent functionality that encourages and rewards collocated interaction. The concept arose through design, development, and public exhibition of Hotaru, a collocated social game that uses wearables as game controllers. Hotaru has been shown in festivals and also formally playtested with 62 individuals. To more fully articulate the Interdependent Wearables strong concept, we compared this system’s design with wearable and embodied systems for play and other purposes, and drew upon relevant HCI theory. The work is of benefit to those in the HCI/UX community focu… Read more
Artifact is a journal focused on practice-based design research, and aims to explore conditions, issues and tasks pertaining to design development in a broad sense. In this volume of Artifact, different authors explore “the design concept”, and the designers’ social activities.… Read more
Patrick Prax recently defended his Ph.D. thesis at Uppsala University, about co-creation, game design and alternative media. When are players able to participate to the creation of a game world and its rules? How can they appropriate and subvert them? Which meaning is generated?… Read more
What if we could drop medical students right into the lives of aging people? “We Are Alfred” uses a VR headset, headphones, and a hand-tracking device to immerse users in the story of a 74-year-old patient — the titular Alfred.… Read more
1979 Revolution: Black Friday was finally published this weekend – an hybrid of documentary game, adventure and narrative set in Iran during the political unrest leading to the fall of the Shah.… Read more
Film director Chris Milk has recently called VR “an empathy-machine”. But is it that simple? Elisabeth Sutherland (MIT) wrote an impressive thesis with Fox Harrell to take a deeper critical look at that claim. … Read more
The Great Palermo is a free interactive ballad about street food, folklore and culture of the city of Palermo, Sicily. With a kaleidoscopic, iterative approach to the game experience, it nicely demonstrates how folk stories and traditional narratives may be transposed digitally, without losing the “feel” and structure of oral storytelling.
The Great Palermo is available for PC, Mac, Linux, Android, iOS.… Read more
How do we interact with physical objects during LARPs and mixed/tabletop role-playing games? Costumes, computers, pen and paper are not neutral and passive elements, but change and are changed during RPG sessions. They work together with narrative and ludic elements: if we think about things as social elements, how do they make role-playing games work?
Rafael Bienia, PhD at Maastricht University, draws upon the fields of game studies, and science, technology and society studies to conduct ethnographic fieldwork among role-playing communities in Germany.… Read more
Christy Dena and Eric Zimmerman are awesome game designers, educators and writers. And it’s really great reading Christy interviewing Eric about his design approach, and his relationship with the humanities: “I think my background as an artist has helped me always see games as a form as culture”.… Read more
A free ebook by Karen Schrier and colleagues, it provides research and techniques for designing games for a variety of curricular needs. In particular, I’ve found interesting two chapters about games and empathy – one in the context of teaching history, the other about games and ethics. … Read more
Design fiction, writes Josh Tanenbaum, uses fictional depictions of future technology to tell a story about the world in which that technology is situated: it uses narrative structures to explore and communicate the possible futures for technology. Julian Bleecker of Near Future Labs is one of the first and foremost proponents of these techniques, and he has recently collaborated with Mobile Life Stockholm to create a fictional “IKEA Catalog from the future”. He writes “In the end, our Design Fiction Ikea catalog is a way to talk about a near future. It is not a specification, nor is it an aspiration or prediction. The work the catalog does – like all Design Fictions – is to encourage conversations about the kinds of near futures we’d prefer, even if that requires us to represent near futures w… Read more
Illya Szilak has reviewed Marie-Laure Ryan’s new volume Narrative as Virtual Reality 2. She writes “This lucidly written updated book addresses virtual reality (VR) not as a medium associated with specific hardware, but more loosely as a form of storytelling primarily concerned with immersion and interactivity, […] placing VR in a continuum of storytelling and media (visual art, conventional and digital literature especially hypertext, and computer games) and pre-digital immersive experiences like Baroque architecture, children’s make-believe, ritual, and some forms of theater such as Artaud’s Theater of Cruelty”.… Read more